To submit a question for a speaker, please follow the link found here. Follow Estelle Erasmus on Facebook and Twitter and on her website.
Donna Talarico is an independent writer and content marketing consultant, and she also is the founder of Hippocampus and its books division and annual conference, HippoCamp.
Donna has more than two decades of experience in marketing and communications, and about half that time has been in higher education. She speaks at higher education and publishing conferences, writes an adult learner recruiting column for Wiley, and has contributed to Guardian Higher Education Network, The Writer, mental_floss, Games World of Puzzles, and others. Her creative nonfiction appears in The Los Angeles Review and The Los Angeles Times.
Michael Zam is co-creator, writer, and producer on FX’s Feud: Bette and Joan, the smash 8-part limited series that Zam and writing partner Jaffe Cohen first wrote as a screenplay, Best Actress (Black List 2010). For Feud, they were nominated for two prime time Emmy Awards, as well Golden Globe, Producers Guild, Writers Guild, and Critics Choice Awards, and were honored with the American Film Institute Award for significant “Contribution to America’s Cultural Legacy.” Zam and Cohen have a number of film and TV projects in development, including those based on the lives of Vivien Leigh, Mama Cass, William Haines, Kate Hepburn, and Lois Weber.
Richard Eisenberg is the Managing Editor of Nextavenue.org, a site from PBS for people 50+, where he is also editor of its Money and Work & Purpose channels and a regular blogger. He is also a freelance book reviewer for People magazine. Previously, he was a full-time freelance writer and editor for magazines and websites includingAARP The Magazine, MoneyWatch and Ladies Home Journal; Executive Editor of Money magazine; Front Page Finance Editor at Yahoo! and Special Projects Director and Money Editor at Good Housekeeping. He is the author of two books: How to Avoid a Midlife Financial Crisis and The Money Book of Personal Finance. He is a graduate of Northwestern University's Medill School of Journalism.
Anna Goldfarb is author of the humor memoir, "Clearly, I Didn't Think This Through." She writes about relationships and pop psychology for The New York Times, Vice, and The Cut. She lives in Philadelphia with her husband and their three-legged cat, Eleanor.
James Taranto edits the Journal’s op-ed pages. Until January 2017 he wrote the popular Best of the Web column for WSJ.com. In August 2007 he was named a member of the Journal’s editorial board.
From 2000 through 2008, his column appeared at OpinionJournal.com, of which he was editor. He previously served as the Journal’s deputy editorial features editor. He joined the Journal in 1996 as an assistant editorial features editor after spending five years as an editor at City Journal, the Manhattan Institute’s quarterly of urban public policy. He has also worked for the Heritage Foundation, United Press International, Reason magazine and KNX News Radio in Los Angeles. He is co-editor of “Presidential Leadership: Rating the Best and the Worst in the White House” (Wall Street Journal Books, 2004). He attended California State University, Northridge.
Judith Newman is the author of the bestseller To Siri With Love: A Mother, Her Autistic Son, and the Kindness of Machines, a collection of illuminating stories about life with fourteen-year-old boy with autism. The New York Times called it “an uncommonly riotous and moving book…with whipsaws of brilliant zingers and heart punches.” The Washington Post called Newman “a gifted personal essayist, her warmth and wit recalling Nora Ephron’s.” Previous books include You Make Me Feel Like An Unnatural Woman: Diary of a New (Old) Mother, about her adventures in the world of infertility.
In addition to books and personal essays, Judith writes for magazines about entertainment, science, business, beauty, health, and popular culture. Her work and celebrity interviews are featured in a variety of publications from The New York Times and Vanity Fair to Prevention, AARP, and National Geographic. She regularly reviews books for People and the Times, and writes the "Help Desk" column in The New York Times Book Review. She is a contributing editor for Allure and Prevention, and has been widely anthologized.
Jane Friedman has 20 years of experience in the publishing industry, with expertise in business strategy for authors and publishers. She’s the co-founder of The Hot Sheet, the essential industry newsletter for authors, and has previously worked for F+W Media and the Virginia Quarterly Review.
Jane’s newest book is The Business of Being a Writer (University of Chicago Press); Publishers Weekly said that it is “destined to become a staple reference book for writers and those interested in publishing careers.” Also, in collaboration with The Authors Guild, she wrote The Authors Guild Guide to E-Publishing.
Katharine Sands, of Sarah Jane Freymann Literary Agency in New York City has worked with a varied list of authors who publish a diverse array of books including both fiction, memoir and non-fiction. Among the books she represents are: The Apothecary’s Curse, nominated for the Bram Stoker Award 2017 in the First Novel category by Barbara Barnett; and Girl Walks Out of a Bar, a memoir by Lisa Smith that was featured by People Magazine as Notable Nonfiction
She is the agent provocateur of Making the Perfect Pitch: How to Catch a Literary Agent’s Eye, a collection of pitching wisdom from leading literary agents.
In this podcast, Katharine Sands, Senior Literary Agent at Sarah Jane Freymann Literary Agency in New York, talks to Estelle Erasmus about the following
* What she looks for in a writer/author
* The number one mistake people make when pitching an agent
* How to make sure you pick the right agent for you
* Resources for writers
Links:
Sarah Jane Freymann Literary Agency
Her book: Making the Perfect Pitch: How to Catch a Literary Agent’s Eye
Supplemental Interview: Further Insight into Katharine Sands
Manuscript Wish List (With Katharine’s colleague, Jessica Sinsheimer)
Margaret Guroff is an executive editor at AARP The Magazine, and a former editor of Baltimore magazine. She is also the editor and publisher of Power Moby-Dick, an online annotation of Herman Melville's classic novel. Her cultural history book, The Mechanical Horse: How the Bicycle Reshaped American Life, was published in 2016 by the University of Texas Press.
In this podcast, Margaret Guroff, Executive Editor of AARP talks to Estelle Erasmus about:
* AARP and her role there
* The all- important demographic of her reader (it’s not always what you think)
* What she looks for in a submission or pitch
* Does she take pitches?
* How to contact her/AARP
* The stories she is clamoring for
* Word count, rights and payment
* Editor pet peeves
* How the editing process works
* How to contact digital
* What’s next for AARP
Links:
AARP Writer's Guidelines
AARP Editorial Calendar
Subscribe to AARP Magazine
Tyler Moss is editor-in-chief of Writer’s Digest, a national magazine for professional and aspirational writers that has celebrated the “Writing Life” since 1920. While at WD, he’s interviewed such notable authors as George Saunders, Andy Weir, Scott Turow, Rainbow Rowell and Heather Graham.
Before WD, Tyler was the online editor of Family Tree Magazine. He is a regular contributor to Conde Nast Traveler, and his articles have been published by The Atlantic, New York, Outside, DRAFT, Salon, MentalFloss, Atlas Obscura, Paste, VICE, Playboy and more.
In this podcast, Tyler Moss, the new Editor-in-Chief of Writer’s Digest talks to Estelle Erasmus about:
* The mission of Writer’s Digest
* What he looks for in a submission or pitch
* Does he prefer a completed piece or a pitch?
* The best way to contact WD
* His favorite topics to cover?
* What he’d like to see more of in the publication?
* Opportunities for freelance writers to break in
* Payment and rights
* His pet peeves as an editor
* What makes a must-read article
* Exciting news for Writer’s Digest
Online: WritersDigest.com
Click to subscribe to Writer's Digest
https://www.facebook.com/writersdigest
@WritersDigest on Twitter and Instagram
WD New podcast
Twitter: @tjmoss11
Kyle Pope is Editor and Publisher of the Columbia Journalism Review at the Columbia University Graduate School of Journalism. Before joining CJR, he held top posts at The Wall Street Journal, where he spent a decade as an editor and foreign correspondent, at Condé Nast, and at The New York Observer. His work has been published in The New York Times, The Los Angeles Times, The New Republic and elsewhere. In the summer of 2017, he testified before Congress's Judiciary Committee on threats to the press.
In this podcast, Kyle talks to Estelle Erasmus about:
* The origin of CJR, it's reader's demographics, and it's mission.
* Opportunities for freelance writers (including payment)
* What he looks for in pitches and how writer's can contact h im.
* His main role as editor/publisher.
* The state of the industry, and whether he thinks publications will eventually all go digital
* His thoughts on the repercussions from the tariff on out-of-country newsprint
*Advice on what freelance writer organizations (such as ASJA) can do to protect free speech
*His feelings on "Fake News" and Facebook
*The future of longform journalism
Find CJR on twitter and subscribe to the CJR podcast here.
Beth Dreher is the Features Director at Woman’s Day magazine, a publication that reaches millions of readers each month. As a nearly 20-year veteran of the media industry, Beth knows how to craft compelling, inspiring stories and essays that capture the attention of a diverse audience. Her writing has appeared on BuzzFeed and in Reader’s Digest, Runner’s World, and more. Beth holds a master’s degree in English from the University of Alabama, Birmingham.
In this podcast, Beth Dreher talks to Estelle Erasmus about:
**Opportunities writing for Woman's Day magazine (print)
*History of the publication
*What she looks for in article pitches
*Sections ideal for freelancers
*Payment information
*A day in her life as an editor
*The types of personal essays for the magazine that resonate for her
*What makes Woman's Day stand out from the competition
Online: www.womansday.com
Facebook: https://www.facebook.com/womansdaymagazine/
Twitter: @WomansDay
Instagram: @womansdaymag
Link to subscribe
Sari Botton is: a writer living in Kingston, New York; Essays Editor for Longreads; editor of the award-winning anthology Goodbye to All That: Writers on Loving and Leaving NY and its New York Times-Bestselling follow-up, Never Can Say Goodbye: Writers on Their Unshakable Love for NY; operator of Kingston Writers' Studio; and the editorial director of the non-profit TMI Project.
In this podcast, Sari Botton talks to Estelle Erasmus about:
**Opportunities writing for Longreads
*What she looks for in essays
*Submission pet peeves
*Longreads origin
*Submitting writers for awards
*How she edits
*Hot takes on topics and more
Links:
The Longreads Top 5 Weekly Newsletter
Longreads' Twitter: http://twitter.com/Longreads
Longreads' Instagram: https://www.instagram.com/longreads/
My Twitter: http://twitter.com/saribotton