Crisis Coverage Awards: COVID-19 Edition

The American Society of Journalists and Authors is proud to recognize the vital work of journalists worldwide as they help audiences understand all aspects of the 2020 coronavirus pandemic. Introducing the first-of-its-kind COVID-19 Writing Awards. The contest is now open, and submissions will be accepted until July 3, 2020.

"Professional journalists are key in helping us all navigate the confusing and conflicting news about a worldwide crisis that is changing our lives," said Janine Latus, chair of the ASJA Crisis Coverage Awards. "ASJA is proud to recognize our colleagues' vital work as they help audiences make sense of all aspects of the coronavirus pandemic."

Submissions for this first round must be published in English anywhere in the world between January 1 and June 30, 2020. Articles that are self-nominated will receive full consideration. See rules and pricing below. Submission fees will be divided between CASH PRIZES, the Writers Emergency Assistance Fund (WEAF) and ASJA operations. Categories and rules listed below.

Deadline for entries is July 3, 2020.
 

Register for the awards here
 

Categories:

  • Business & Economy – including all financial aspects, the effect on contract workers, recession, furloughs, open-up movements, remote work, supply chain disruptions, unemployment and travel and tourism.
  • Education – including homeschooling, school-related online classes and virtual internships.
  • Healthcare – including the broad spectrum of COVID-19’s impact on medical personnel, infection spread and testing, hospital overload, the reduction of elective procedures and long-term implication of delayed treatments for issues unrelated to COVID-19.
  • Mental Health – including explorations of resilience, grief, isolation, stress, pandemic fatigue, anxiety, depression and suicide.
  • Personal Essays – first-person accounts of any aspect of the pandemic.
  • Politics & Government – including federal, state, local and international government responses, positions by political entities, effect on campaigns and elections, stimulus efforts and the disparity of COVID-19’s impact on different demographics.
  • Science – including COVID-19 research, efforts toward vaccines and treatments, virus origin and evolution and future implications.
  • Social Adaptation – including parenting and innovative ways of dealing with isolation (i.e. incorporating social distancing into celebrations, finding at-home hobbies, online versions of traditionally in-person activities).
  • Technology – including quarantine chats, Zoom popularity, TV shows from home (like Saturday Night Live), tracking technologies, vaccine/treatment technologies and 3D printing of protective equipment.

 

Rules:

  • All articles considered for an award must have been published in English between Jan. 1, 2020, and June 30, 2020.
  • There is no limit on the number of articles that may be nominated, but each item may be nominated in only one category.
  • Articles can be submitted as either a PDF copy or the URL of the article and uploaded through the online submission process. No paper submissions are accepted. Please submit through the portal on your payment confirmation email.
  • Entry fee for ASJA Members: $15, Nonmembers $25, Members of other nonprofit organizations $20. Payments are made in advance of submission.
  • Entries are judged by the Crisis Coverage Awards Committee. It is up to the judges to determine whether there is a winner in any particular category. When judging is close an honorable mention may be awarded.

Frequently Asked Questions

  • A blank piece of paper is God's way of telling us how hard it is to be God.
    – Sidney Sheldon
  • A critic is a man who knows the way but can't drive the car.
    – Kenneth Tynan
  • A good many young writers make the mistake of enclosing a stamped, self–addressed envelope, big enough for the manuscript to come back in. This is too much of a temptation to the editor.
    – Ring Lardner
  • A young musician plays scales in his room and only bores his family. A beginning writer, on the other hand, sometimes has the misfortune of getting into print.
    – Marguerite Yourcenar
  • All the words I use in my stories can be found in the dictionary – it's just a matter of arranging them into the right sentences.
    – Somerset Maugham
  • Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
    – Christopher Hampton
  • Being a writer is like having homework every night for the rest of your life.
    – Lawrence Kasdan
  • Copy from one, it's plagiarism; copy from two, it's research.
    –Wilson Mizner
  • Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them.
    – Flannery O'Connor
  • I just wrote a book, but don't go out and buy it yet, because I don't think it's finished yet.
    – Lawrence Welk
  • I love deadlines. I like the whooshing sound they make as they fly by.
    – Douglas Adams
  • I'm writing a book. I've got the page numbers done.
    – Stephen Wright
  • It took me fifteen years to discover I had no talent for writing, but I couldn't give it up because by that time I was too famous.
    – Robert Benchley
  • It's a damn poor mind that can only think of one way to spell a word.
    – Andrew Jackson
  • Most writers can write books faster than publishers can write checks.
    – Richard Curtis
  • No fathers or mothers think their own children ugly; and this self–deceit is yet stronger with respect to the offspring of the mind.
    – Miguel de Cervantes Saavedra
  • There are three rules for writing the novel. Unfortunately, no one knows what they are.
    –Somerset Maugham
  • Writing a novel is like paddling from Boston to London in a bathtub. Sometimes the damn tub sinks. It's a wonder that most of them don't.
    – Stephen King
  • Writing a novel is like spelunking. You kind of create the right path for yourself. But, boy, are there so many points at which you think, absolutely, I'm going down the wrong hole here.
    – Chang–rae Lee
  • Your manuscript is both good and original, but the part that is good is not original, and the part that is original is not good.
    –Samuel Johnson
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